"Kunstwissenschaft und Medienphilosophie"
| Begriff | Kunstwissenschaft und Medienphilosophie |
| Metakey | Fachgruppe (institution:field_of_study) |
| Typ | Keyword |
| Vokabular | HfG |
24 Inhalte
- Seite 1 von 2
Die Methode Duchamp - Magritte Deckblatt
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Die Methode Duchamp - Magritte Deckblatt
- Untertitel
- Das „Musée d’Art Moderne. Département des Aigles” von Marcel Broodthaers unter dem Aspekt der strategischen Aneignung
- Autor/in
- Beschreibung (de)
- „Der Fall Marcel Broodthaers lädt den Rezipienten dazu ein, sich mit dessen Vorläufern auseinanderzusetzen. Nicht etwa, weil dort Geheimnisse aufzudecken wären – im Gegenteil, die broodthaers’schen Galionsfiguren sind in seinem Werk alle namentlich präsentiert –, sondern eher auf Grund der Tatsache, da er es wie kaum ein anderer verstanden hat, sich bestimmter Vorbilder zu bedienen, sprich, sich Teilaspekte aus deren Werken anzueignen und die darin enthaltenen Kerngedanken eigens fortzuschreiben. Dies geschieht auf eine Art und Weise, die es vermag, Hommage und Kritik zu vereinen.”
„Über zwei Doppelseiten hinweg breitet sich im Ausstellungskatalog zur Section des Figures [...] das graphisch aus, was Broodthaers als seine METHODE tituliert. Diese Blätter folgen in direktem Anschluß an das Vorwort, sie markieren den Anfang zu jenem Katalogteil, der sowohl inhaltlich, als auch formal maßgeblich vom Künstler gestaltet worden ist. Bereits die Typographie des Titelworts strahlt – in Majuskel gesetzt – eine hohe Wichtigkeit aus. Wer allerdings ausführliche Erläuterung erwartet hat, wird enttäuscht, es handelt sich vielmehr um eine anspielungsreiche Illustration als um eine schriftliche Erklärung, doch gleichwohl trägt diese Ausführung den Charakter des Manifests.”
- „Der Fall Marcel Broodthaers lädt den Rezipienten dazu ein, sich mit dessen Vorläufern auseinanderzusetzen. Nicht etwa, weil dort Geheimnisse aufzudecken wären – im Gegenteil, die broodthaers’schen Galionsfiguren sind in seinem Werk alle namentlich präsentiert –, sondern eher auf Grund der Tatsache, da er es wie kaum ein anderer verstanden hat, sich bestimmter Vorbilder zu bedienen, sprich, sich Teilaspekte aus deren Werken anzueignen und die darin enthaltenen Kerngedanken eigens fortzuschreiben. Dies geschieht auf eine Art und Weise, die es vermag, Hommage und Kritik zu vereinen.”
- Beschreibung (en)
- ‘The case of Marcel Broodthaers invites the recipient to engage with his precursors. Not because there are secrets to be uncovered there - on the contrary, Broodthaers' figureheads are all presented by name in his work - but rather due to the fact that he understood better than almost anyone else how to make use of certain role models, i.e. to appropriate partial aspects from their works and to continue the core ideas contained therein in his own way. This is done in a way that manages to combine homage and criticism.’
‘Over two double-page spreads in the exhibition catalogue for Section des Figures [...] Broodthaers' METHOD is presented graphically. These pages follow directly after the preface and mark the beginning of the section of the catalogue that was designed by the artist both in terms of content and form. Even the typography of the title word - set in majuscule - radiates great importance. However, anyone expecting a detailed explanation will be disappointed; it is more of an allusive illustration than a written explanation, but this version nevertheless has the character of a manifesto.’
- ‘The case of Marcel Broodthaers invites the recipient to engage with his precursors. Not because there are secrets to be uncovered there - on the contrary, Broodthaers' figureheads are all presented by name in his work - but rather due to the fact that he understood better than almost anyone else how to make use of certain role models, i.e. to appropriate partial aspects from their works and to continue the core ideas contained therein in his own way. This is done in a way that manages to combine homage and criticism.’
- Kategorie
- Datierung
- November 2010
- Sprache
- Ort: Institution
- Titel
- Die Methode Duchamp - Magritte Deckblatt
- Urheberrechtshinweis
- Alice Wilke
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Archiv-Signatur
- HfG HS 2010 09
- Externes Archiv
- Importiert am
- 10.01.2025
- Übergeordnete Sets
- 1
Die Methode Duchamp – Magritte Abstract / Inhaltsv.
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Die Methode Duchamp – Magritte Abstract / Inhaltsv.
- Untertitel
- Das „Musée d’Art Moderne. Département des Aigles” von Marcel Broodthaers unter dem Aspekt der strategischen Aneignung
- Autor/in
- Beschreibung (de)
- „Der Fall Marcel Broodthaers lädt den Rezipienten dazu ein, sich mit dessen Vorläufern auseinanderzusetzen. Nicht etwa, weil dort Geheimnisse aufzudecken wären – im Gegenteil, die broodthaers’schen Galionsfiguren sind in seinem Werk alle namentlich präsentiert –, sondern eher auf Grund der Tatsache, da er es wie kaum ein anderer verstanden hat, sich bestimmter Vorbilder zu bedienen, sprich, sich Teilaspekte aus deren Werken anzueignen und die darin enthaltenen Kerngedanken eigens fortzuschreiben. Dies geschieht auf eine Art und Weise, die es vermag, Hommage und Kritik zu vereinen.”
„Über zwei Doppelseiten hinweg breitet sich im Ausstellungskatalog zur Section des Figures [...] das graphisch aus, was Broodthaers als seine METHODE tituliert. Diese Blätter folgen in direktem Anschluß an das Vorwort, sie markieren den Anfang zu jenem Katalogteil, der sowohl inhaltlich, als auch formal maßgeblich vom Künstler gestaltet worden ist. Bereits die Typographie des Titelworts strahlt – in Majuskel gesetzt – eine hohe Wichtigkeit aus. Wer allerdings ausführliche Erläuterung erwartet hat, wird enttäuscht, es handelt sich vielmehr um eine anspielungsreiche Illustration als um eine schriftliche Erklärung, doch gleichwohl trägt diese Ausführung den Charakter des Manifests.”
- „Der Fall Marcel Broodthaers lädt den Rezipienten dazu ein, sich mit dessen Vorläufern auseinanderzusetzen. Nicht etwa, weil dort Geheimnisse aufzudecken wären – im Gegenteil, die broodthaers’schen Galionsfiguren sind in seinem Werk alle namentlich präsentiert –, sondern eher auf Grund der Tatsache, da er es wie kaum ein anderer verstanden hat, sich bestimmter Vorbilder zu bedienen, sprich, sich Teilaspekte aus deren Werken anzueignen und die darin enthaltenen Kerngedanken eigens fortzuschreiben. Dies geschieht auf eine Art und Weise, die es vermag, Hommage und Kritik zu vereinen.”
- Beschreibung (en)
- ‘The case of Marcel Broodthaers invites the recipient to engage with his precursors. Not because there are secrets to be uncovered there - on the contrary, Broodthaers' figureheads are all presented by name in his work - but rather due to the fact that he understood better than almost anyone else how to make use of certain role models, i.e. to appropriate partial aspects from their works and to continue the core ideas contained therein in his own way. This is done in a way that manages to combine homage and criticism.’
‘Over two double-page spreads in the exhibition catalogue for Section des Figures [...] Broodthaers' METHOD is presented graphically. These pages follow directly after the preface and mark the beginning of the section of the catalogue that was designed by the artist both in terms of content and form. Even the typography of the title word - set in majuscule - radiates great importance. However, anyone expecting a detailed explanation will be disappointed; it is more of an allusive illustration than a written explanation, but this version nevertheless has the character of a manifesto.’
- ‘The case of Marcel Broodthaers invites the recipient to engage with his precursors. Not because there are secrets to be uncovered there - on the contrary, Broodthaers' figureheads are all presented by name in his work - but rather due to the fact that he understood better than almost anyone else how to make use of certain role models, i.e. to appropriate partial aspects from their works and to continue the core ideas contained therein in his own way. This is done in a way that manages to combine homage and criticism.’
- Kategorie
- Datierung
- November 2010
- Sprache
- Ort: Institution
- Titel
- Die Methode Duchamp – Magritte Abstract / Inhaltsv.
- Urheberrechtshinweis
- Alice Wilke
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Archiv-Signatur
- HfG HS 2010 09
- Externes Archiv
- Importiert am
- 10.01.2025
- Übergeordnete Sets
- 1
Deckblatt Mythos Großstadt
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Deckblatt Mythos Großstadt
- Autor/in
- Kategorie
- Schlagworte
- Datierung
- 14.07.2003
- Sprache
- Ort: Institution
- Titel
- Deckblatt Mythos Großstadt
- Urheberrechtshinweis
- © Daphne Noee
- Rechtsschutz/Lizenz
- Medienersteller/in
- Beziehung/Funktion
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Archiv-Signatur
- HfG HS 2003 02
- Externes Archiv
- Importiert am
- 04.10.2024
- Übergeordnete Sets
- 1
Das Schattenspiel Contrast und die Schattenwelt der Kunstgeschichte
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Das Schattenspiel Contrast und die Schattenwelt der Kunstgeschichte
- Beschreibung (de)
- In meiner Arbeit über das Thema Das Schattenspiel Contrast und die Schattenwelt der Kunstgeschichte möchte ich mich mit der Welt der Schatten beschäftigen, sowohl auf analoger, kunsthistorischer Ebene, als auch im digitalen Bereich der Computerspiele.
Hierbei werde ich mich auf unterschiedliche, kunsthistorische Beispiele beziehen, bei welchen die Schatten verschiedene Rollen und Fähigkeiten zugesprochen bekommen. Als Hauptquelle hierfür benutze ich die Arbeit von Victor Ieronim Stoichita, Eine kurze Geschichte des Schatten.
So werden wir unter anderem die Entstehung der Malerei anhand der Dibutades Geschichte und der Silhouettenmalerei betrachten, uns Leonardo da Vincis Erkenntnisse zum Verhalten der Schatten und dessen Definition genauer anschauen, auf religiöse Erzählungen von übernatürlichen Ereignissen und auf Schattengeschichten eingehen, welche durch Schatten dargestellt sind. Auch werden wir den Bereich des hermeneutischen Verfahrens anhand des Schattenrisses des Apoll von Belvedere betreten, das Höhlengleichnis von Platon und auch künstlerische Arbeiten aus der Neuzeit in Augenschein nehmen.
Im digitalen Bereich wird uns das Computerspiel Contrast als Anschauungsmaterial dienen, welches von dem Unternehmen Compulsion Games entwickelt und 2013 veröffentlicht wurde.
Ich werde versuchen herauszuarbeiten, inwiefern sich die künstlerischen Arbeiten auf das Spiel Contrast auswirken und dieses womöglich selbst als Kunstwerk betrachtet werden kann.
Hierbei werde ich die zuvor genannten künstlerischen Werke in unterschiedlich kategorischen Kapiteln durchgehen und abschließend solch eines Kapitels das Computerspiel Contrast unter den jeweiligen Gesichtspunkten betrachten.
- In meiner Arbeit über das Thema Das Schattenspiel Contrast und die Schattenwelt der Kunstgeschichte möchte ich mich mit der Welt der Schatten beschäftigen, sowohl auf analoger, kunsthistorischer Ebene, als auch im digitalen Bereich der Computerspiele.
- Titel
- Das Schattenspiel Contrast und die Schattenwelt der Kunstgeschichte
- Urheberrechtshinweis
- Sebastian Finzenhagen
- Importiert am
- 19.12.2018
- Übergeordnete Sets
- 2
Critical Zones
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Autor/in
- Beschreibung (de)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Beschreibung (en)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.11.2018 - 09.11.2018
- Mitwirkende
- Ort: Institution
- Ort
- mittlere Lichtbrücke
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Urheberrechtshinweis
- Hochschule für Gestaltung Karlsruhe
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Projektleiter/in
- Semester
- Importiert am
- 10.01.2019
- Übergeordnete Sets
- 1
Critical Zones
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Autor/in
- Beschreibung (de)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Beschreibung (en)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.11.2018 - 09.11.2018
- Mitwirkende
- Ort: Institution
- Ort
- mittlere Lichtbrücke
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Urheberrechtshinweis
- Hochschule für Gestaltung Karlsruhe
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Projektleiter/in
- Semester
- Importiert am
- 10.01.2019
- Übergeordnete Sets
- 1
Critical Zones
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Autor/in
- Beschreibung (de)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Beschreibung (en)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.11.2018 - 09.11.2018
- Mitwirkende
- Ort: Institution
- Ort
- mittlere Lichtbrücke
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Urheberrechtshinweis
- Hochschule für Gestaltung Karlsruhe
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Projektleiter/in
- Semester
- Importiert am
- 10.01.2019
- Übergeordnete Sets
- 1
Critical Zones
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Autor/in
- Beschreibung (de)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Beschreibung (en)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.11.2018 - 09.11.2018
- Mitwirkende
- Ort: Institution
- Ort
- mittlere Lichtbrücke
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Urheberrechtshinweis
- Hochschule für Gestaltung Karlsruhe
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Projektleiter/in
- Semester
- Importiert am
- 10.01.2019
- Übergeordnete Sets
- 1
Critical Zones
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Autor/in
- Beschreibung (de)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Beschreibung (en)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.11.2018 - 09.11.2018
- Mitwirkende
- Ort: Institution
- Ort
- mittlere Lichtbrücke
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Urheberrechtshinweis
- Hochschule für Gestaltung Karlsruhe
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Projektleiter/in
- Semester
- Importiert am
- 10.01.2019
- Übergeordnete Sets
- 1
Critical Zones
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Autor/in
- Beschreibung (de)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Beschreibung (en)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.11.2018 - 09.11.2018
- Mitwirkende
- Ort: Institution
- Ort
- mittlere Lichtbrücke
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Urheberrechtshinweis
- Hochschule für Gestaltung Karlsruhe
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Projektleiter/in
- Semester
- Importiert am
- 10.01.2019
- Übergeordnete Sets
- 1
Critical Zones
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Autor/in
- Beschreibung (de)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Beschreibung (en)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.11.2018 - 09.11.2018
- Mitwirkende
- Ort: Institution
- Ort
- mittlere Lichtbrücke
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Urheberrechtshinweis
- Hochschule für Gestaltung Karlsruhe
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Projektleiter/in
- Semester
- Importiert am
- 10.01.2019
- Übergeordnete Sets
- 1
Critical Zones
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Autor/in
- Beschreibung (de)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Beschreibung (en)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.11.2018 - 09.11.2018
- Mitwirkende
- Ort: Institution
- Ort
- mittlere Lichtbrücke
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Urheberrechtshinweis
- Hochschule für Gestaltung Karlsruhe
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Projektleiter/in
- Semester
- Importiert am
- 10.01.2019
- Übergeordnete Sets
- 1